Bhajanavali: A very useful bhajan book for bhajan lovers, schools, colleges.
ભજનપોથી |
ભજનાવલી: ભજનના રસિકો, શાળા,કોલેજો માટે ખુબજ ઉપયોગી ભજનપોથી.
Bhajan means the conversation with God ... The word bhajan is derived from the word 'bhaj'. Bhajan is not just a thing to sing, bhajan (singing) has to be done along with singing.
ભજન એટલે તો ઈશ્વર સાથે થયેલો વાર્તાલાપ...ભજન શબ્દ 'ભજ' ધાતુ પરથી બન્યો છે. ભજન એ માત્ર ગાવાની વસ્તુ નથી, ગાવાની સાથે ભજન (ભજવાનું) કરવાનું હોય છે.
Any verse or verse sung in relation to God is called bhajan. Among the people of India, a large number of hymns have been sung in different languages, corresponding to different deities since ancient times. Gujarati people say that if devotion to God is mixed in food then food becomes prasad and if devotion to God is mixed in a song then song becomes bhajan.
What is Bhajan? Any verse or verse sung in relation to God is called Bhajan. Among the people of India since ancient times, a number of Bhajans have been sung in different languages for different deities.
Gujarati people say that if devotion to God is found in food then food becomes prasad and if devotion to God is found in any song then that song becomes bhajan Narasimha Mehta Mirambai Dasi Jivan Made from metal, bhajan is not just something to eat.
The hymns of Narasimha Mehta, Mirambai, Dasi Jivan, Sant Kabir, Trikam Saheb, Ravi Saheb, Nirant Maharaj and Gangasti etc. are very popular among the people of Gujarat.
Many hymns were memorized by Mahatma Gandhi, the Father of the Nation of India. In this Narasimha Mehta's Vaishnavajan, let's call him Ray, who knows the pain stranger Ray ... was very dear to him.
⇛ Saints and famous in literature (સંતો અને સાહિત્યમાં પ્રખ્યાત) :
Bhajan is a conversation with God. And with that in mind, the bhajanik is like a medium for communicating with God. Singing a bhajan requires price, not raga. If a bhajan is sung without price, it does not reach the heart of the listener. The same is true of writing hymns. Writing a hymn requires a sense of humor, not rhyme or words. You and I believe ... that writing hymns is hard work and that is why maybe today there are people who write songs or ghazals, but those who write hymns are not inert. It is not that the psalmists do not get paid. No, we will never say that folk music, folk songs or bhajan artists do not get enough rewards. It is not. There is a good return in this field too and the artists involved in the field of music or writing are also aware of this. But there is no hypocrisy in the creation of this field and that is why new people are hesitant to come in this field. Only bhajan is work, any matter of spirituality or any field of spirituality; There is no pretense or show. That work can only be done diligently. I know many such bhajanikas, I have met many bhajanikas who, after meeting them, realize that they have actually met God. It seems that Olio is sitting in front of the soul. In his own tune and fun, away from worldliness. Between himself and his God, no one else. Life seems to be blessed after meeting such a bhajanik. From the point of view of music, leaving the scriptural words, the feeling of feeling remains the same of gratitude. Today song-ghazal writers live with their own words, but a bhajanik has not only words; There is also an understanding of melody and raga. Narasimha Mehta, Ganga Sati, Dasi Jivan and Sant Surdas had no knowledge of music anywhere; Those people did not even go to study anywhere. In the time of Ganga Sati, women were not even taught. Sant Surdas could not see from birth so he could not study anything. Nevertheless, these dignitaries created what is called wonderful and not only literally, but also in terms of melody and melody. Even today these bhajanikas are singing bhajans in the same manner and with the same slope as they used to sing bhajans and are gaining so much popularity not only in the country but also abroad. The reason behind this, if any, is that he not only created the bhajan, he also lived the bhajan.
⇛ IMPORTANT LINK :
As a listener, you and I may have felt that it is easy to listen to a bhajan or to appreciate a bhajan that has been heard, but it is difficult to live a bhajan. Bhajan can be lived only if and when the feeling of non-acquisition is born in the mind.
After saying so much about bhajan, now you too must have understood that bhajan is not a simple creation like a song or ghazal, it is a supernatural creation. In order to maintain this culture of supernatural creation, I am going to set up a Folk Music Research and Development Center where work will be done first on Gujarati and then on folk music of other languages. The center will also produce audio and video albums to reach out to more and more new folk musicians and bhajanists. Apart from this, the great music scholars and classical musicians who are still alive will be specially invited so that their proximity to the emerging local artists of Gujarat.
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